Popullata shqiptare e K\u00ebr\u00e7ov\u00ebs, gjithmon\u00eb ka qen\u00eb e lumtur dhe krenare sepse n\u00eb trojet e lashta shqiptare n\u00eb shekujt e fundit n\u00eb qendr\u00ebn e popullat\u00ebs shqiptare gjendet fshati C\u00ebrvic\u00eb me nj\u00eb histori t\u00eb lavdishme dhe ide p\u00ebrparimtare komb\u00ebtare dhe shembull i shk\u00eblqyesh\u00ebm n\u00eb zhvillimin e kultur\u00ebs dhe patriotizmit komb\u00ebtar.<\/p>\n
Prandaj, p\u00ebr gjysm\u00eb shekullin e fundit kam bindje statike dhe t\u00eb pa luhatshme se banor\u00ebt e k\u00ebtij fshati, kan\u00eb luajtur rolin vendimtar n\u00eb projektimin e vlerave komb\u00ebtare si p\u00ebr shembull n\u00eb zhvillimin e vet\u00ebdijes komb\u00ebtare, homogjenizmin dhe bashkimin komb\u00ebtar, zhvillimin kulturorn\u00eb baz\u00eb t\u00eb folklorit popullor si dhe organizime sportive.<\/p>\n
N\u00eb k\u00ebt\u00eb fshat gjithmon\u00eb kan\u00eb dominuar: toleranca, dashuria, solidariteti, objektiviteti reciprok etj.
\nNga k\u00ebto argumente q\u00eb tham\u00eb gati n\u00eb minimum kan\u00eb r\u00ebn\u00eb v\u00ebllavrasjet, konfliktet, spiunimet, intrigat si dhe shum\u00eb elemente t\u00eb tjera jo civilizuese.
\nFaktikisht n\u00eb C\u00ebrvic\u00eb konfliktet dhe hasm\u00ebrit\u00eb i ka z\u00ebvend\u00ebsuar k\u00ebnga, \u00e7iftelia dhe humori.<\/p>\n
N\u00eb hierarkin\u00eb e vlerave pozitive p\u00ebr rrethin e K\u00ebr\u00e7ov\u00ebs, pjes\u00ebmanja e folklorit burimor, humorit masovik popullor dhe kontaktet intansive me vendbanimet e disa qendrave, fsh.C\u00ebrvic\u00eb radhitet n\u00eb nivel t\u00eb lart\u00eb. N\u00eb k\u00ebt\u00eb rang do t\u00eb p\u00ebrmend vet\u00ebm nj\u00eb num\u00ebr t\u00eb vog\u00ebl t\u00eb autor\u00ebve t\u00eb palodhsh\u00ebm t\u00eb k\u00ebtij fshati q\u00eb t\u00ebr\u00eb jet\u00ebn ia kushtuan muzik\u00ebs, humorit dhe n\u00eb p\u00ebrgjith\u00ebsi folklorit ton\u00eb t\u00eb pasur.
\nMe plot respekt i p\u00ebrkujtoj krijuesit : Xha Deralla, Shefik Ballazhi, Abdulla Xhambazi, Habib Vrangalla, Murat Tika, Xha Faiku, Qerim Xhambazi, si dhe gjeneratat m\u00eb t\u00eb reja si : Mexhit Xhambazi, Mehmet dhe Sali Spahiu, Vesel Xhambazi, Ilaz Spahiu, vllez\u00ebrit Doga, Dalja, Nuredin Vrangalla etj.<\/p>\n
N\u00eb kulminacionin e instrumenteve muzikor\u00eb me : \u00e7ifteli, sharki, kavalla, fyell, violin\u00eb etj.
\nTradicionalisht C\u00ebrvica dhe kombi shqiptar \u00ebsht\u00eb krenar me mjeshtrit e talentuar :Hajdar, Shehi, dhe Hatem Spahiu, si dhe trash\u00ebguesit origjinal\u00eb t\u00eb tyre Rahit dhe Ahmet Spahiu, Mersim \u00c7upi, Shukri dhe Abdulla Re\u00e7ku, Sefer Ballazhi, Hasip Xhambazi, si dhe shum\u00eb t\u00eb tjer\u00eb q\u00eb i takojn\u00eb gjenerat\u00ebs s\u00eb re dhe me perspektiv\u00eb t\u00eb shk\u00eblqyeshme.<\/p>\n
Pra, karakteristika grandioze e elit\u00ebs s\u00eb lart\u00ebp\u00ebrmendur \u00ebsht\u00eb kultivimi i k\u00ebng\u00ebve burimore shqipe dhe instrumentevemuzikore: \u00e7ifteli, violin\u00eb, sharki, fyell, kavall etj.
\nN\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb, melosi burimor k\u00ebr\u00e7ovar me p\u00ebrmbajtje historike, patriotike, tragjike, tradh\u00ebtie, t\u00eb gurbetit apo t\u00eb dashuris\u00eb, hyri n\u00eb rangun e profesionalizmit muzikor\u00eb.<\/p>\n
Ushtrimet permanente t\u00eb k\u00ebng\u00ebve q\u00eb n\u00eb konbinim me instrumentet muzikore q\u00eb komponoheshin, ishte rezultat i cil\u00ebsis s\u00eb lart\u00eb dhe u p\u00ebrhap\u00ebn jo vet\u00ebm n\u00eb trev\u00ebn k\u00ebr\u00e7ovare por edhe m\u00eb gj\u00ebr\u00eb: Gostivar, Tetov\u00eb, Strug\u00eb, Dib\u00ebr, Prilep, e sidomos me formimin e SH K A “Shk\u00ebndija”.<\/p>\n
Pra, n\u00eb oaz\u00ebn e melosit shume t\u00eb begatsh\u00ebm burimor dominojn\u00eb tingujt e kengeve me melodi specifike si: “Ymer Aga”, “Ise Boletini”, “Krali i gjermanit”, “Pi Prishtine”,”Vaj zamani”,”Emin Mixha”,”Beno Bajraktari”, “Shtat\u00eb bylbylat”,”Elife”,”Hona me dale”,”Maliq Zeneli”, “Bejt\u00eb Sula”, “Imer Pasha”, “Zenel Lala”, “Milet Baf\u00e7e”, “Sulltana”, ”Do ti lutem zotit, “Oj xullufe boj\u00eb”, “Jeva Jeva”, “Kalosh Zajazi”.”Hajredin Pasha” si dhe shum\u00eb k\u00ebng\u00eb t\u00eb tjera me p\u00ebrmbajtje interesante t\u00eb ambientit k\u00ebr\u00e7ovar.<\/p>\n
Poashtu, mund t\u00eb konstatojme se qendra e humorit cil\u00ebsor u kriju nga vet\u00eb natyra dhe talentet popullor.<\/p>\n
C\u00ebrvica, tradicionalisht ka jetuar n\u00eb buz\u00ebqeshje satirike me komedi interesante.
\nNga numri i madh i tyre do p\u00ebrkujtoj n\u00eb personalietet e shquar: xha Habihi, Hasan Tika, Bexhet Xhambazi, xha Deralla etj.
\nPor, talenti fenomenal q\u00eb natyra e kishte fal\u00eb dhe jo vet\u00ebm n\u00eb fshati C\u00ebrvic\u00eb por mbar\u00eb bota shqiptare, krenoheshin pa konkurenc\u00eb ishte legjenda e humorit: Abdulla Dauti\u2014Duli.
\nKy fenomen me siguri n\u00eb zemrat tona do t\u00eb jet\u00eb i pa harruesh\u00ebm.<\/p>\n
Folklori i begatsh\u00ebm komb\u00ebtar kompletohej me valle specifike fenomenale dhe t\u00eb \u00e7udit\u00ebshme, si tek grupi i burrave ashtu edhe te ai i vajzave.
\nIshte bukuri v\u00ebrtet\u00eb kur k\u00ebto valle i udh\u00ebhiqnin artist\u00ebt e v\u00ebrtet\u00eb: Rizaj, Xhafer Dauti, Rushan Kuka, Ismet Klosi, Shukri Duli dhe Demir Dauti, Rahit, Mehmed,Kasam,Ilaz Spahiu, Sadin Tika, Nijazi dhe Xhevdet Balazhi si dhe shum\u00eb t\u00eb tjere q\u00eb me siguri un\u00eb i kam harruar, me vallet: “Patruna”. “Brahim Hoxha”, “Bilbilat”, “Gostivar\u00e7ja” etj.<\/p>\n
Pra, duke p\u00ebrfunduar rikujtimin p\u00ebr at\u00eb q\u00eb gjat\u00eb 60 vjet\u00ebve ia fal\u00ebn folklorit shqptar, aktor\u00ebt e fshatit C\u00ebrvic\u00eb nga zemra i fal\u00ebnderojm\u00ebs duke theksuar edhe shp\u00ebrblimin p\u00ebr vendin e par\u00eb n\u00eb fesivalin Republikan Shqiptar t\u00eb vitit 1949, q\u00eb u mbajt\u00eb n\u00eb Tetov\u00eb.<\/p>\n","protected":false},"excerpt":{"rendered":"
Popullata shqiptare e K\u00ebr\u00e7ov\u00ebs, gjithmon\u00eb ka qen\u00eb e lumtur dhe krenare sepse n\u00eb trojet e<\/p>\n","protected":false},"author":1,"featured_media":2646,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-2645","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fshatrat-e-kercoves"],"_links":{"self":[{"href":"https:\/\/kercova.net\/index.php?rest_route=\/wp\/v2\/posts\/2645","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kercova.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kercova.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kercova.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kercova.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2645"}],"version-history":[{"count":0,"href":"https:\/\/kercova.net\/index.php?rest_route=\/wp\/v2\/posts\/2645\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kercova.net\/index.php?rest_route=\/wp\/v2\/media\/2646"}],"wp:attachment":[{"href":"https:\/\/kercova.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2645"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kercova.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2645"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kercova.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2645"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}